Description

---

Archie Goodwin leaves Manhattan for the Midwest to find out who put a bullet into a banker.

Archie Goodwin’s aunt Edna is about to lure him away from his work at Nero Wolfe’s New York brownstone. After a phone call, he heads off to Ohio, where the president of Farmer’s State Bank and Trust, an elderly widower, has died in an apparent suicide. But Archie’s aunt has expressed nagging suspicions—which only grow stronger when someone takes a shot at a local reporter who wrote about the case.
 
It wouldn’t be a small town without some gossip, and Archie soon hears the whispers: romantic intrigues, a possible paternity case, a ruined business. While reconnecting with his aging mother—and fending off his nagging aunt—Archie tries to untangle a web of grudges, scandals, and murder.
 
From Nero Award winner Robert Goldsborough, this is a brand-new novel in the series created by Rex Stout, starring one of the world’s most beloved detectives and his equally engaging sidekick.
 
Archie Goes Home is the 15th book in the Nero Wolfe Mysteries, but you may enjoy reading the series in any order.
 

About the Author

---

Robert Goldsborough is an American author best known for continuing Rex Stout’s famous Nero Wolfe series. Born in Chicago, he attended Northwestern University and upon graduation went to work for the Associated Press, beginning a lifelong career in journalism that would include long periods at the Chicago Tribune and Advertising Age. While at the Tribune, Goldsborough began writing mysteries in the voice of Rex Stout, the creator of iconic sleuths Nero Wolfe and Archie Goodwin. Goldsborough’s first novel starring Wolfe, Murder in E Minor (1986), was met with acclaim from both critics and devoted fans, winning a Nero Award from the Wolfe Pack. Archie Goes Home is the fifteenth book in the series.

Praise For…

---

“First-rate . . . This clever pastiche will enthrall Stout fans.” —Publishers Weekly, starred review
 
Praise for the Nero Wolfe Mysteries
“Mr. Goldsborough has all of the late writer’s stylistic mannerisms down pat.” —The New York Times