Description

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Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication and how they aimed at creating a media ecology based on and inspired by technologies such as the radio and the photo cell.

About the Author

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Arndt Niebisch is an assistant professor in the Department of Languages, Literatures and Cultures at the University of North Carolina at Greensboro, USA.