Description

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Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.
Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.

About the Author

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Christpoher Baugh is Emeritus Professor of Performance and Technology at the University of Leeds and Professor of Theatre at the University of Hull, UK. He is a practising scenographer and has published numerous texts on the history and theory of scenography.Christpoher Baugh is Emeritus Professor of Performance and Technology at the University of Leeds and Professor of Theatre at the University of Hull, UK. He is a practising scenographer and has published numerous texts on the history and theory of scenography.

Praise For…

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'An extremely valuable work, which combines detailed analysis with a helpful contextual overview.' - Professor Dominic Shellard, University of Sheffield, UK

'There simply are no competing texts: Chris Baugh's unique arrangement of scenographic buttons is immediately a key work in the field - invaluable and long overdue.' - Richard Downing, University of Wales, Aberystwyth

'Baugh provides eloquent examples of the ways in which scientific discoveries and theatrical innovations interrelate...Throughout, Baugh exhibits extensive knowledge and investment in his subject matter, providing plentiful examples and historical contextualization.' Alicia Tycer - Theatre Notebook