Description

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A Sourcebook on African-American Performance is the first volume to consider African-American performance between and beyond the Black Arts Movement of the 1960s and the New Black Renaissance of the 1990s.
As with all titles in the Worlds of Performance series, the Sourcebook consists of classic texts as well as newly commissioned pieces by notable scholars, writers and performers. It includes the plays 'Sally's Rape' by Robbie McCauley and 'The American Play' by Suzan-Lori Parks, and comes complete with a substantial, historical introduction by Annemarie Bean.
Articles, essays, manifestos and interviews included cover topics such as:
* theatre on the professional, revolutionary and college stages
* concert dance
* community activism
* step shows
* performance art.
Contributors include Annemarie Bean, Ed Bullins, Barbara Lewis, John O'Neal, Glenda Dickersun, James V. Hatch, Warren Budine Jr. and Eugene Nesmith.

About the Author

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Annemarie Bean is an assistant professor of theatre at Williams College, Williamstown, Massachusetts. She was managing editor of The Drama Review for three years, and is the co-editor, with James V. Hatch and Brooks McNamara, of Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy (Wesleyan University Press/University Press of New England, 1996), winner of the 1997 Errol Hill Award given by the American Society for Theatre Research for outstanding scholarship in African[1]American theatre studies. Her current project is a study of gender impersonation by white and African-American nineteenth-century minstrels.